Artist name Moreau, Hippolyte Francois
Sex: m
Artist occupation: sculptor
Geographical data: France
State: France
Place of birth: Dijon
Date of birth 1832
Place of death: Neuilly-sur-Seine
Last cited: 1927
Place(s) cited: Paris
The second son of Jean-Baptiste Moreau, Hippolyte Moreau
went to work in Paris under the direction of Jouffroy and
exhibited his first work at the Salon in 1859. The best
of his work includes charming full figures of children and
young women, mostly allegorical, often with the same subjects
as used by Hippolyte's brother Auguste.
A few of the bronzes among his consignments at the Salon
are Uno bevitore, a statue of 199 cm high (1880), Sortie
de l'école, a group (1886), and Mireille, a statuette
(1894). There were also a number of marbles, especially
some statuettes: L'Iris (1886), Le Rêve (1887), Avril
(1888), Dans les bles, Le Chant de I'alouette (1889), Départ
des hirondelles (1891), Hésitation (1892), Chrysanthéme
(1893), Les Cerises (1894), Le Ruisseau, Le Crépuscule
(1895), La Vague (1896), Oiseau blessé (1899), Dans
la vague (1900), Fleur de lotus (1902), Le Printemps, Le
Chant de la Mer (1903), L'Aurore (1905), Faneuse (1906),
and Le Nid (1914). Later, notable works include a series
of groups in marble: Première Caresse (1905), Traîtrise
d'amour (1907), Innocence and Imprudence (1908), Leçon
de chant, Tendre Aveu (1909), Premier Bijou, Bataille de
fleurs (1910), Le Secret, Couronnement de l'Amour (1911),
Age Heureux and Convoitise (1912), and Un Maraudeur (1913).
Among Hippolyte Moreau's works cast in bronze are: L'Aurore,
35 cm, Le Chant de l'alouette, 45cm, Le Chant de la mer,
45 cm, Consolation, 30 cm, L'Echo, 45 cm, L'Eté et
l'Hiver, 48 cm, Femme aux sequine, 80 cm, Fillette au crabe,
31 cm, Passage du qué, 58 cm, Le Printemps, 92 cm,
Le Rêve, 78 cm, and Le Secret, 55 cm. Finally, in
a departure from his usual style, Hippolyte Moreau made
the bronze Piqueur au relais, a figure frequently available
in public sale. Cast by the Société des Bronzes
de Paris, this group also carries the signature of the animal
sculptor Prosper Lecourtier, who probably sculpted the dogs.
MUSEUMS
Chambéry
Le Semeur, 35 cm.
Dijon
This museum possesses a number of plasters and terra cottas
as well as some bronzes, including Un buveur and Le Printemps.