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233 Royal Street
New Orleans, LA 70130
504-523-1605
 
   
         

ART and ARTIST
RESEARCH DOCUMENTS

ARTIST BIOGRAPHIES
Barbedienne, Ferdinand
Barye, Antoine-Louis
Besarel, Valentino
Bonheur, Isidore Jules
Caffiéri, Jacques
Chapu, Henri-Michel-Antoine
Clodion
Collas, Louis-Antoine
Coustou, Francois
Coutan, Jules-Felix
Drouot, Edouard
Dumaige, Etienne Henry
Falconet, Etienne-Maurice
Frémiet, Emmanuel
Hannaux, Emmanuel
Houdon, Jean Antoine
Le Duc, Arthur Jacques
Lequesne, Eugène Louis
Mène, Pierre-Jules
Mercié, Marius Jean Antonin
Moreau, Hippolyte Francois
Moreau, Mathurin
Picault, Emile Louis
Pradier, James
Salmson, Jean Jules


ART HISTORY
French Sculpture
French Sculpture : 1814-1900
French Art Life 1789-1814
French Art Life 1815-1869
French Art Life 1870-1914
Gilding After 1800
Gilt Bronze : 1600-1800
High Renaissance
Mannerism
The Norwich School of Painters
Prix De rome
Styles of Sculpture
Italian Sculpture : 15th century
Italian Sculpture : 16th century
Italian Sculpture : 17th century

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NEW ORLEANS
233 Royal Street
New Orleans, LA 70130
Phone: 504-523-1605
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Artist name : Mercié, Marius Jean Antonin




Marius Jean Antonin Mercié

Marius Jean Antonin Mercié was born in Toulouse on October 30th 1845. He studied under Jouffroy and Falguière at the École des Beaux-Arts and won the Grand Prize of Rome at the age of 23. This entitled him to study in Italy and during his stay from 1869 to 1873 he produced his most important sculpture David Vainqueur. He sent this figure to the Paris Salon in 1872 where it immediately won a first class medal. In addition he was given the distinction of being the first artist to receive the Cross of the Legion d'Honneur whilst still in Rome, making him unique in the annals of the villa Medicis.

Early success in his career brought a number of private and public commissions and he produced a large amount of monuments and ornamental sculptures from his studios. He also regularly exhibited at the Salon until 1912 in both bronze and marble.

In 1880 Antonin Mercié began to practice painting as well, but it was his work as a sculptor that continued to collect the most distinctions and honours. He joined the institut in 1891 and was named president of the Societé des Artistes Français in 1913 and became one of the few sculptors to attain the rank of Grand Officer in the Legion d'Honneur. In his works can be seen a certain sensitivity to lifelike qualities of movement, a veritable exuberance common to the group of artists from the Southwest sometimes called the School of Toulouse (Ècole de Toulouse).